Impact 89FM

We Watch it for the Music | American Horror Story: Apocalypse

Back to Article
Back to Article

We Watch it for the Music | American Horror Story: Apocalypse

Casey Halas

Hang on for a minute...we're trying to find some more stories you might like.


Email This Story






As this season comes to an end, we take a look at the music that makes American Horror Story on FX so wonderfully creepy. Warning: Spoilers Ahead.

Ryan Murphy’s gut-wrenching masterpiece has returned for its eighth consecutive season this fall with the most unlikely twist that audiences could not have prepared for. Intertwining story plots from past seasons make up the entirety of this season as characters from Murder House, Coven, Hotel and Cult make appearances throughout. Episode one of this season, “The End” illustrates an all-too-real scenario of the end of humanity after nuclear warfare breaks out among nations. Only the most elite alongside individuals with the best genetic makeup are chosen to survive in an underground bunker run by an organization called The Cooperative. 

 

Calling Occupants of Interplanetary Craft | The Carpenters

 

Ms. Wilhemina Venable (Sarah Paulson) is one of the administrators of The Cooperative alongside her right-hand woman Ms. Mead (Kathy Bates). Ms. Venable makes her eerie entrance as she strolls into the common area of the bunker before the last group of humans on earth. The Carpenters’ “Calling Occupants of Interplanetary Craft” plays in the background courtesy of the jukebox placed in the common room that plays the same song over and over again for days on end (significant? maybe). With her cane in hand and strict poise in the other, Ms. Venable makes her way into the room with all eyes on her as The Carpenters sing, “Our Earth may never survive,” which in terms of their situation, is painfully true.

 

Tonight You Belong to Me | Patience and Prudence

 

As the first episode progresses, it is revealed that the man in charge of the entire operation of The Cooperative is none other than the (legit) spawn of Satan, Michael Langdon (Cody Fern). Don’t remember him? Think back to the demon baby born at the end of AHS Murder House, who was raised by the “loving” efforts of Constance Langdon (Jessica Lange). Yes, everything really has come full circle. Michael shows up at the base of The Cooperative in order to inform Ms. Venable that her outpost holds the last remaining humans on earth. As he reveals this terrifying news, the hair-raising voices of the classic ‘50s duo, Patience and Prudence sing “Tonight You Belong to Me.” Their innocent voices contrast the dire situation they have found themselves in, making it all the more creepy.  And if that was not enough to creep anyone out, here is a reminder that this song also appeared in Murder House as numerous characters were brutally murdered. It can be inferred by this declarative song that everyone “belongs” to Michael as he is responsible for the downfall of humanity.

 

Gypsy | Fleetwood Mac

 

Moving forward a bit to Episode Five, “Boy Wonder” the audience is met with the return of the bad-ass witches from AHS Coven who are back to put an end to Satan’s reign. But what is an episode about witches without a surprise appearance from the magically talented, Stevie Nicks? She graces the last beings on earth with an entrancing solo performance of “Gypsy” that literally stops satan himself in his tracks as he looks upon her. Nicks serenades the witches singing, “And it all comes down to you” as the witches know that the fate of the rest of humanity lies in their hands.

 

It is clear that these songs are not only incorporated to highlight the show’s spooky aesthetic, but they also seem to affirm a deeper meaning behind the apocalyptic themes. Messages are being sent to the audience, but only time will tell what they are actually trying to convey. Ryan Murphy, you’ve outdone yourself.

About the Writer
Casey Halas, Author

Casey is an undergraduate student at MSU, studying English with a minor in women’s studies. In addition to her classes and working at the Writing Center on campus, Casey enjoys writing articles for Impact about new music and TV shows with good soundtracks. Her current favorite artists are Car Seat Headrest, Mitski, Angel Olsen, MGMT and HOMESHAKE. Casey hopes to incorporate her love of music writing to become a music journalist one day, but for now she will continue to write for Impact and MSU.

Leave a Comment

If you want a picture to show with your comment, go get a gravatar.

You must be logged in to post a comment.

Navigate Left
  • We Watch it for the Music | American Horror Story: Apocalypse

    A

    Matriarchs of Music: Michelle Zauner

  • We Watch it for the Music | American Horror Story: Apocalypse

    Features

    We Watch it for the Music | Russian Doll

  • We Watch it for the Music | American Horror Story: Apocalypse

    Features

    Judging by Covers: The Best Album Art of 2018

  • We Watch it for the Music | American Horror Story: Apocalypse

    Features

    We Watch it for the Music | Scott Pilgrim vs. the World

  • Features

    Female Performers You Can’t Miss at Pitchfork

  • We Watch it for the Music | American Horror Story: Apocalypse

    Artist Profile

    Impact Presents | Melancholic Youth: The Honest Beauty of Snail Mail

  • We Watch it for the Music | American Horror Story: Apocalypse

    Features

    Female Performers You Can’t Miss at Pitchfork

  • We Watch it for the Music | American Horror Story: Apocalypse

    Features

    Electric Forest 2018 Must-Sees

  • We Watch it for the Music | American Horror Story: Apocalypse

    Features

    Stoopfest and Your Comprehensive Guide to Supporting the Michigan Music Scene

  • We Watch it for the Music | American Horror Story: Apocalypse

    Features

    The State of the Modern Day Hip-Hop Producer

Navigate Right
Michigan State University Student Radio
We Watch it for the Music | American Horror Story: Apocalypse