Yes, you heard right! Impact 89FM is giving away tickets to Electric Forest Festival in Rothbury, Michigan June 26-29th! Find out the THREE different ways that you can win after the jump!
Detroit punks Human Eye released their fourth album, 4: Into Unknown last year on Goner Records.
Our Jam of the Day includes the new video they just came out with for the title track, “Gettin’ Mean.” The five minute long burner gives a short tour of some of Detroit’s landmarks including the abandoned train station, and The Heidelberg Project.
Estoile Naiant is the dense and perplexing full-length release from elusive London based electronic producer patten (always lower-case). patten’s musical output can be traced back to 2006 beginning with various deeply experimental CDR’s and highly limited EPs leading up to 2011’s GLAQJO XAACSSO LP released through No Pain In Pop. Recently signed to Warp records, he contributed sound installations to the “Tate x Warp” exhibition at Tate Britain in London alongside label-mates Oneohtrix Point Never and Hudson Mohawke in an exhibition that celebrated the prestigious label’s outstanding contribution to electronic music.
Estoile Naiant is a disorientating trip of an album that rarely settles or rests to breathe before spontaneously imploding and reconfiguring its pulsating electronic soundscapes. The maximal beats come and go over layers of harlequin texture and sampling all simultaneously twisting, echoing and colliding. The sounds take all manner of undefined shapes and overlap like some twirling kaleidoscopic puzzle that never stays still long enough to discern them. The splattering cyclical sonic paintings that patten creates could be compared to the more beat driven moments from Flying Lotus’ latest Until The Quiet Comes LP, yet patten’s work appears to be far less concerned with melody and instead buries melody deep within the shimmering wall of sound to hypnotize the listener into submission. “Agen” builds up through intricate accelerated beats, echoing vocal samples and gentle vaporwave tones that alter repetitively to suggest the infinite cyclical repetitions within nature and space time that consistently evolve and degrade through entropy and chaos. Yet occasional deterrence from the disorientation allows for vivid focus on the tracks individual elements; during the final minute of “Key Embedded” the song begins to deconstruct itself and all the individual layers can be heard with intense clarity.
The album’s sound could be described as progressive and futuristic whilst occasionally suggesting the microscopic world through it’s macroscopic intricacy, jittering chaotic fidgeting and organic sampling. Occasionally the albums sound borders into the dystopian; the hollow glacial synths in “Gold Arc” and “Drift” draw direct comparison to the works of Boards of Canada and particularly last years Tomorrow’s Harvest full of boundless sonic space and menace. Yet the dystopian sound within Estoile Naiant contrasts Boards of Canada’s faded widescreen sonic vistas because the relentless sound shifting within Estoile Naiant induces the feeling of jarring confinement instead of vast open space. When all of patten’s glitching beats are meshed so conflictingly, his work appears to show intense fascination on the minute scale rather than the effect of the resulting collection. The cumulative impact of the 10 tracks in unison is no-where near as impressive as the individual flourishes that occur at random intervals within in each track often lasting mere seconds.
Yet pattens obsession with what is near and in clear sight makes for incredibly lucid compositions that sound fully three dimensional in a way that allows for comparison to the production within last year’s bizarre yet outstanding mixtape ‘&&&&&’ released to acclaim by Arca following his production credit on Yeezus. For all the technical mastery evident in the construction of Estoile Naiant’s labyrinthian electronic onslaught, it remains so dense and uncompromisingly experimental that it leaves little space left to feel anything from within.
Kirk Heinze says happy 100th birthday to MSU Extension via its director Tom Coon, and Harmony Gmazel tells Kirk all about the Greening of mid-Michigan. Then, two people deep in the Asian carp invasive species issue weigh in on the latest in that battle. Roger Germann is executive vice president for Great Lakes and Sustainability at the renowned Shedd Aquarium in Chicago and he serves on the EPA’s Great Lakes advisory committee. Andrea LaFontaine chairs the Michigan House Natural Resources Committee. Read More…
MSU Jazz students and local favorites Kim Vi & The Siblings lay down a new track at WDBM’s birthday show performed at Mac’s Bar in Lansing.
More Kim Vi & The Siblings:
We played a multitude of different genres on tonight’s version of Sit or Spin. From Cloud Nothings to The Black Keys and from Tune-Yards to The Hold Steady – a lot was going on tonight. One artist that definitely stuck out with the panel tonight was Mac DeMarco. His new album “Salad Days” is for sure one to check out if you haven’t already. ALSO, a huge thanks to Scotty Bell for being our guest panelist on the show this evening.
First In Line – Kevin Drew = sit
Things We Said – Warm Soda = sit
Let Her Go – Mac DeMarc = spin
Hard To Hold – RAC, Tegan & Sara = spin
Vox Tuned D.E.D = Liars
Impressed – Sleeper Agent = spin
Quieter Today – Cloud Nothings = spin
Twin Rivers – Big Scary = spin
An Ocean In Between The Waves = sit (but spin another song from this album)
Dumb Luck – We Are Scientists = spin
Big Cig – The Hold Steady = sit
Fever – The Black Keys = sit
Mr. Tembo - Damon Albarn = spin
Water Fountain – Tune-Yards = spin
Tonight on The Vibe DJ Riddle spins new tracks from Grieves, Chance The Rapper, SZA, Sage The Gemini and more! Feel free to make your requests all-night long at (517) 884-8989 or @WDBM on Twitter.
The Ruler’s Back – Slick Rick
Rubber Band Man – T.I.
We Made It – Drake ft. Solja Boy
Man Of The Year – ScHoolboy Q
This week Chelbucket was all about R-O-C-K! She hit you with Megadeth, Nirvana, Metallica, Billy Idol and many more metal and rock artists on this installment of Flashback. Check the head-bangin’ set right here:
Paranoid – Black Sabbath
Dirty Deeds Done Dirt Cheap – AC DC
Voodoo Child – The Jimi Hendrix Experience
Samuel Herring, the mastermind behind Future Islands, has been on tip of everyone’s tongue ever since his bombastic performance on Letterman where he danced his way into indie music spotlight. But after this momentous act, the question everyone wanted answered was: can their new album meet this blossoming publicity? On March 24th, “Singles” was released, and we were answered with a firm, “kind of?” The album realizes its goals with confidence, but the band’s Letterman performance gained them an audience with thundering expectations.