Posts by: Kevin Glide

Album Spotlight: patten – Estoile Naiant

Estoile Naiant is the dense and perplexing full-length release from elusive London based electronic producer patten (always lower-case). patten’s musical output can be traced back to 2006 beginning with various deeply experimental CDR’s and highly limited EPs leading up to 2011’s GLAQJO XAACSSO LP released through No Pain In Pop. Recently signed to Warp records, he contributed sound installations to the “Tate x Warp” exhibition at Tate Britain in London alongside label-mates Oneohtrix Point Never and Hudson Mohawke in an exhibition that celebrated the prestigious label’s outstanding contribution to electronic music.

Estoile Naiant is a disorientating trip of an album that rarely settles or rests to breathe before spontaneously imploding and reconfiguring its pulsating electronic soundscapes. The maximal beats come and go over layers of harlequin texture and sampling all simultaneously twisting, echoing and colliding. The sounds take all manner of undefined shapes and overlap like some twirling kaleidoscopic puzzle that never stays still long enough to discern them. The splattering cyclical sonic paintings that patten creates could be compared to the more beat driven moments from Flying Lotus’ latest Until The Quiet Comes LP, yet patten’s work appears to be far less concerned with melody and instead buries melody deep within the shimmering wall of sound to hypnotize the listener into submission. “Agen” builds up through intricate accelerated beats, echoing vocal samples and gentle vaporwave tones that alter repetitively to suggest the infinite cyclical repetitions within nature and space time that consistently evolve and degrade through entropy and chaos. Yet occasional deterrence from the disorientation allows for vivid focus on the tracks individual elements; during the final minute of “Key Embedded” the song begins to deconstruct itself and all the individual layers can be heard with intense clarity.

The album’s sound could be described as progressive and futuristic whilst occasionally suggesting the microscopic world through it’s macroscopic intricacy, jittering chaotic fidgeting and organic sampling. Occasionally the albums sound borders into the dystopian; the hollow glacial synths in “Gold Arc” and “Drift” draw direct comparison to the works of Boards of Canada and particularly last years Tomorrow’s Harvest full of boundless sonic space and menace. Yet the dystopian sound within Estoile Naiant contrasts Boards of Canada’s faded widescreen sonic vistas because the relentless sound shifting within Estoile Naiant induces the feeling of jarring confinement instead of vast open space. When all of patten’s glitching beats are meshed so conflictingly, his work appears to show intense fascination on the minute scale rather than the effect of the resulting collection. The cumulative impact of the 10 tracks in unison is no-where near as impressive as the individual flourishes that occur at random intervals within in each track often lasting mere seconds.

Yet pattens obsession with what is near and in clear sight makes for incredibly lucid compositions that sound fully three dimensional in a way that allows for comparison to the production within last year’s bizarre yet outstanding mixtape ‘&&&&&’ released to acclaim by Arca following his production credit on Yeezus. For all the technical mastery evident in the construction of Estoile Naiant’s labyrinthian electronic onslaught, it remains so dense and uncompromisingly experimental that it leaves little space left to feel anything from within.

Future Islands – Singles

Samuel Herring, the mastermind behind Future Islands, has been on tip of everyone’s tongue ever since his bombastic performance on Letterman where he danced his way into indie music spotlight. But after this momentous act, the question everyone wanted answered was: can their new album meet this blossoming publicity? On March 24th, “Singles” was released, and we were answered with a firm, “kind of?” The album realizes its goals with confidence, but the band’s Letterman performance gained them an audience with thundering expectations.
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Weekday Wrap Up

What have Impacters been listening to this week?

Assistant Music Director Stacey Karl
I’ve been really into Detroit bands lately. It’s something about this essence they have that makes them sound how Detroit feels. I’m super stoked for Protomartyr’s sophomore LP to come out, Under Color of Official Right. I saw them perform a small show last week for a video The A.V. Club was shooting, but I really want to see them again when they play the Lager House next month. Some other Michigan based bands worth checking out are Mexican Knives, Tyvek, Jamaican Queens, Chit Chat and Human Eye.
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Todd Terje – Johnny and Mary

“King of the Summer Jam” DJ Todd Terje and Roxy Music legend Bryan Ferry cover a Robert Palmer hit in today’s Jam of the Day. The 80s have been back in style for a while now, but how it seems that it’s here to stay, whether you like it or not.

Liars – Mess

On this eccentric, enigmatic new LP adequately titled Mess, New York dance-punk/experimental outfit Liars prove to everyone (not like they care) that they’re able to keep developing and changing their sound album to album to album, all the while still managing to maintain their own unique identity.

Liars aren’t known for playing by the rules. Ever since their inception back in 2001 they’ve constantly been reinventing their musical palette, and following their own path (or lack thereof). And I know what you’re thinking sarcastically, “they shifted to electronic music, like that’s never been done before,” but they didn’t do so from outside pressure, or influence from their label, or any of that nonsense, Liars shifted into their new found territory naturally and simply because that’s what they felt like doing – and they completely own it.

Imagine helping an old lady cross the street, Read More…

Eagulls – Possessed

Eagulls are a band that everyone had on their list of “Who to Watch” at SXSW. If they didn’t, they were certainly talking about them after. Our Jam of the Day, “Possessed”, comes from the four-piece band from Leeds. You won’t be able to quite make out all of the lyrics, but the song is unrefined and unapologetic.

Tokyo Police Club – Forcefield

Tokyo Police Club is a band that brings the flood of memories from those middle school and high school years. Gone are the days of the 3Oh!3 band tees and of the people name-dropping bands like The Maine, All Time Low, and Forever the Sickest Kids just to seem like they were “cool.” Since those adolescent years Tokyo Police Club has been somewhat absent in the music world, with the exception of the early release of their single “Hot Tonight”, and the new release of this new album Forcefield, these two motions have been the newest movements from this band since their last album dropped in 2010.
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“I can’t believe Mercer beat Duke! A 11 seed beating a 3 seed? I had Blue Devils going all the way to the Final Four! My bracket is ruined!”

If you can’t read the above sentence, we have bad news. You can’t sports. Don’t worry! This means you haven’t succumbed to March Madness. Unfortunately, we have bad news again. Everyone will think you’re an ignorant hipster until March Madness is over. Don’t worry again! The Impact’s music experts have handcrafted a Rosetta Stone of sorts that will translate your useless skill of liking good music into the totally useful skill of being able to talk about sports with other people! Sing along to the music, and watch your sports knowledge grow!

Playlist by Stacey Karl
Written by Kevin Glide
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Thee Oh Sees – The Lens

If you haven’t heard, Thee Oh Sees went on a short-lived “hiatus” while John Dwyer moved to L.A. Fortunately, they recently announced they would be releasing a new album, Drop, April 19th. Our Jam of the Day is “The Lens” a track from the upcoming album on Dwyer’s label, Castle Face. Get ready to enter an animated tripped out dream utopia.

The Coathangers – Follow Me

Something about this new video from The Coathangers that just isn’t quite right, but I can’t put my finger on it…. You can grab their new album, Suck My Shirt at The Lager House when they play with Audacity, April 13th.

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